The Alan Bown Set - Emergency 999 (1965-67)

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The history of British rock 'n' roll of the 1960's is filled with the names of homegrown performers who, despite enjoying the favor of critics, music columnists, and club audiences, never managed to make a permanent mark on the record charts. Alan Bown was a case-in-point, a trumpet player who organized a series of bands — principally known as the Alan Bown Set — in the 1960's who got good reviews and attracted healthy live audiences, but which were never able to successfully transfer their club sound onto vinyl. Bown didn't start pursuing a professional music career until after having served a hitch in the Royal Air Force — he organized his first band soon after returning to civilian life in the early 1960's. At the time, there were several different types of music competing for ... Read More...

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01 - I Can't Let Her Go02 - I'm The One03 - Baby Don't Push Me04 - Everything's Gonna Be Alright05 - Headline News06 - Mr. Pleasure07 - Emergency 99908 - Settle Down09 - Gonna Fix You Good (Everytime You're Bad)10 - I Really, Really Care11 - Jeu De Massacre (The Killing Game)12 - Love Me • prev. unissued13 - Mr. Job • prev unissued14 - Gonna Fix You Good (Everytime You're Bad) • demo version15 - It's Growing (live)16 - Emergency 999 (live)17 - I Need You (live)18 - Sunny (live)19 - Headline News (live)20 - Down In The Valley (live)21 - The Boomerang (live)

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Alan Bown is most known — certainly in the United States — for his late '60s recordings as leader of a group (actually called the Alan Bown) that played psychedelic pop. The trumpeter had already been recording since 1965, however, with a group called the Alan Bown Set from 1965-1967 in a far more soul-influenced style. This compilation gathers both sides of all five singles the Alan Bown Set released on Pye in the U.K. during that time, along with the seven live songs from the London Swings: Live at the Marquee Club LP they shared with Jimmy James & the Vagabonds, and the French-only single "Jeu De Massacre (The Killing Game)," from the soundtrack of the French film of the same name. The group were in the same general territory as other British combiners of soul, jazz, and blues from the period, such as Georgie Fame and Zoot Money. However, they were more soul-oriented than either Fame or Money (and not nearly as good as Fame), though they too employed a brass section. This collection is fair but workmanlike British blue-eyed soul, with the horns and organ differentiating it from many other British bands of the day. But it's short on really good material, whether group originals or cover interpretations. Jess Roden, who handles most of the vocals, sounds quite a bit like Steve Marriott, though he's not as good or powerful. Those cuts with Jeff Bannister on lead suffer from his thin, uncertain vocals, though one of these, their 1965 debut single "I Can't Let Her Go," was the best tune they did, with its nicely melancholy melody and well-arranged blend of brass, organ, and backup harmonies.

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The Critters - Younger Girl (1966)

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In 1966, this New York group came off very much like a Lovin' Spoonful Jr., scoring a minor hit with a cover of John Sebastian's "Younger Girl" and then chalking up their only Top 20 single with the very Spoonful-esque original "Mr. Dieingly Sad." The group's soft harmonies and pop folk-rock were in a considerably lighter vein than their Kama Sutra labelmates, though. Much of their material was self-penned, though they also benefited from compositions by Jackie DeShannon and Brill Building tunesmiths Pete Anders, Vinnie Poncia, and Doc Pomus. Recording quite a few singles and an LP for Kama Sutra from 1965 to 1967, their gentle pop/rock was rather lightweight, with the exception of their best singles. After a final Top 40 hit in 1967 ("Don't Let the Rain Fall Down on Me"), principal songwriter Don Ciccone was drafted, and the group struggled on with a couple albums for the Project 3 label before splitting

Personnel:

- Don Ciccone - guitar, vocals

- Bob Podstawski - saxophones

- Jim Ryan - lead guitar

- Ken Gorka - bas

- Jack Decker - drums

- Chris Darway - keyboards

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01. Younger Girl - 2:2602. It Just Won't Be That Way - 2:2003. Gone For Awhile - 2:4204. Children And Flowers - 2:2605. Everything But Time - 2:0506. Come Back On A Rainy Day - 1:5007. Mr. Dieingly Sad - 2:4908. I Wear A Silly Grin - 2:4509. Best Love You'll Ever Have - 3:0110. Forever Or No More - 2:1611. He'll Make You Cry - 2:4012. Blow My Mind - 2:13

Bonus:

13. Bad Misunderstanding - 1:5814. Marrin' Kind Of Love - 2:2215. New York Bound - 2:2716. Don't Let The Rain Fall Down On Me - 2:4517. Walk Like A Man Again - 2:0318. Little Girl - 3:0419. Dancing In The Streets - 2:2020. Heart Of Love, Head If Stone - 2:01

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New Jersey's Critters have earned a reputation as a bubblegum pop group, but they really had a lot more going for them than that. For starters, founding members Jim Ryan and Don Ciccone were both gifted songwriters, singers, and arrangers, and if they had a sort of soft, sunshine approach to things, well, they did it as well as anyone. This anthology collects their Kapp recordings (which essentially means their one album for Kama Sutra and a handful of singles and B-sides) from 1965 to 1967, and it shows a versatile band that was much more than a sort of precursor to Bread. Their first single, a folk-rock cover of Jackie DeShannon's "Children and Flowers," leads things off here, and yes, it's sappy, but wonderfully so, and once you accept the lyrics, it emerges as a bit of a lost treasure. The next two tracks are also striking, the Beatlesque "He'll Make You Cry" and the equally impressive "Little Girl," both of which could have — and should have — been AM radio hits. "Mr. Dieingly Sad," a group original that out-associates the Association, is another highlight, and the set closes with a surprisingly bright, joyous, and breezy version of the Motown classic "Dancing in the Street." Leaving Kama Sutra at the end of 1967, the band recorded a second album on the Project 3 label before calling it quits. The Critters, like Chicago's Cryan' Shames, might have gone on to bigger and better things if the military draft, label snafus, and public perception hadn't short-circuited the creative life span of the group. As it is, they'll make you smile on a rainy day. There's something really valuable in that.

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http://torrents.ru/forum/viewtopic.php?t=1757149

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but Thanks a lot Vvche - (Music 60-70 )

Wimple Winch - Tales From The Sinking Ship (1964-68)

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Despite the silly name and their near-total lack of commercial success, Wimple Winch was an interesting British '60s group, weaving soul, intricate harmonies, and unusual whimsical lyrics into their original material. Starting out as Just Four Men, the Liverpool-area outfit was initially just one of the dozens of Merseybeat groups riding the Beatles' coattails, although they cut a couple of fair singles. Changing their name to Wimple Winch, they released three much more progressive singles that were popular locally, including the explosive raver "Save My Soul" and the dramatic story-song "Rumble on Mersey Square South." Arguably the most creative group to work from Liverpool after the Merseybeat boom dried up, they broke up in the late '60s, leaving a wealth of unreleased material. Much of that material, as well as their rare singles, eventually appeared on compilations of British Invasion and British psychedelic rarities in the '80s.

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1. Ad-Ventures (Theme For Friday Night) 2. Half Past Five 3. Aggravatin’ 4. Colours 5. The Four Just Men Theme (Laura Norder) 6. Sorry Girl 7. Don’t Come Any Closer (Vsn.) 8. I Just Can’t Make Up My Mind 9. Woman Needs A Man 10. I Still Care 11. Thinking About Your Love 12. Tomorrow 13. In The Shelter Of You Arms 14. Trains & Boats & Planes 15. What’s Been Done 16. I Really Love You 17. Save My Soul 18. Everybody’s Worried ‘Bout Tomorrow 19. Rumble On Mersey Square South 20. Atmospheres 21. Typical British Workmanship 22. Bluebell Wood 23. Lollipop Minds 24. Marmalade Hair 25. Coloured Glass 26. Those Who Wait 27. Three Little Teddy Bears 28. Sagittarius 29. The Last Hooray

NOTE:1- 12: Four Just Men / Demos and TV recordings13-14: Just Four Men / Session15-21: Wimple Winch / Fontana Singles22-30: Wimple Winch / Demos

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Liverpool's Wimple Winch are best known to obsessive collectors of U.K. freakbeat for a handful of rare but potent singles, such as the malevolent "Save My Soul" and "Rumble on Mersey Square South," a mini-rock opera that feels like a more compact contemporary to the Who's "A Quick One While He's Away." But Tales from the Sinking Ship, which collects Wimple Winch's singles for Fontana along with recordings that came from earlier and later incarnations of the band, serves best as an object lesson in how radically the British music scene would change between 1964 and 1968. The set opens with a dozen sides recorded when Dee Christopholus (vocals and guitar), John Kelman (lead guitar), and Larry King (aka Lawrence Arendes, drums) were members of the beat combo the Four Just Men (who briefly became the Just Four Men), who start out playing pleasant but unremarkable instrumentals not unlike what the Shadows were doing and eventually moved on to pop vocal sides that make them sound like competent but unremarkable also-rans on the Merseybeat scene. They improved as they went along, and the last of the Four Just Men sides here are the best, the moody but dramatic "In the Shelter of Your Arms" and a solid cover of the Bacharach/David classic "Trains and Boats and Planes." However, when bassist Stuart Sirret left at the end of 1965 and Barry Ashall took over in early 1966, something kicked in with this band, which adopted the new name Wimple Winch and embraced a far more aggressive and compelling sound, with a crispness that suggested the mod sound that was coming into vogue, along with shades of psychedelia creeping into "Atmospheres" and a dash of Ray Davis-style wit informing "Typical British Workmanship." None of the Wimple Winch singles were hits, and this collection closes out with eight demos that confirm the group was continuing to evolve and innovate even after it was dropped by Fontana, with the psychedelic influences moving comfortably to the forefront and pop-minded pastoral accents coloring the melodies. Phil Smee's richly detailed liner notes tell more about Wimple Winch's story than most fans will ever need to know, and a family tree makes it easy to follow the many personnel shifts in the group; this is fascinating stuff for those enamored of the point where beat music fell under the lysergic influence, and reveals just how weird a seemingly ordinary, clean-cut band could get during the first era of acid.

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The Rattles - Hot Wheels (1988) Germany

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My small addition to the theme...Rattles

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01. The Witch (Version '88) - 3:41
02. Welcome Home - 3:22
03. Be Good To Me - 3:49 
04. Johnny-Johnny (Take Me Home) - 3:00
05. Kingdom Of Love - 3:53 
06. Let's Act Together - 3:26
07. C'mon And Sing (Version '88) - 3:35 
08. Hot Wheels - 3:38 
09. What A Night - 2:44
10. Little Miss Wunderbar - 3:36 
11. Angel - 3:19 
12. Russian Roulette & American Poker - 4:27 
*****

Personnel:

- Annette Humpe - vocals (1)
- Achim Reichel - vocals, guitar
- Herbert Hildebrandt - bass, vocals
- Henner Hoier - keyboards, vocals
- Reinhard "Dicky" Tarrach - drums 

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http://torrents.ru/forum/viewtopic.php?t=1760531

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The Archies - This Is Love (1971)

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From JANCY

 
This Is Love, The Archies sixth album for Kirshner, was released in 1971, and was their last original album. It was produced by Ron Dante and Ritchie Adams instead of Jeff Barry, who produced all their other albums. The album contained all new material; nothing from the "Archie's Funhouse" series. At this point, it was safe to say that the group had made a final departure from their TV series alter-ego. In fact, the 1971 TV series "Archie's TV Funnies," contained no musical segments or mention of the musical group.

This album is considered "quite rare." Many Archies fans, including myself" were not aware of it's existance until the internet became popular. Finding a copy of this album is next to impossible. The album even eluded the Billboard album charts; to my knowledge, it did not chart at alThe single Together We Two, backed by Everything's Alright, from the Jingle Jangle album, was released to coincide with the release of the Greatest Hits album. It was later included on the This Is Love album, so one can say that it was the initial single release from the album. It was the lone Jeff Barry produced track on the album. The single peaked on the charts at #122.
The title track, This Is Love, backed by Throw A Little Love My Way, was released as a single to coincide with the release of the album. To my knowledge, the single did not chart at all. Two more tracks from the album appeared as "B" sides to future singles. Maybe I'm Wrong was the flip side to A Summer Prayer For Peace, and Hold On To Lovin' was the flip side to Love Is Living In You. Both singles were released in 1971. Neither single made the U.S. Billboard charts.

http://www.geocities.com/windsor_bear/archies/kes110.html
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The Archies - Sushine (1970)

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NEWS FROM JANCY

The Archies' fourth album, Sunshine, was released in 1970, and was a big departure from the sound of their previous three albums. It was at this point that the group seemed to take on a "dual personality." One side of the group was maturing, producing more adult sounding material. The other side of the group was still producing younger sounding material for the CBS Saturday morning TV show. This was the first album that did not reflect all the music that was being featured on the show.
While the Kirshner logo was featured on the cover, albums were pressed with both the orange Kirshner and Calendar labels. One can only assume that RCA wanted to use up its left-over stock of Calendar labels. The Calendar label appeared mostly on the thinner flexible LPs, while the Kirshner label appeared on the thicker, more ridgid LPs.

The back cover did not include any promotional compositions describing the group or the album content as did the three previous albums. Instead, it showed miniature album covers of the three previous albums that were still available, including the new cover art for the Sugar, Sugar album, previously titled Everything's Archie. The album peaked on the Billboard album charts at #137. While still impressive for a studio group, it was their lowest charted album yet.
 Curiously, the album did not include their previous single, Who's Your Baby?, which had been released after the release of the Jingle Jangle album. This single would not be available on an album until their next release, Greatest Hits.
Sunshine was the initial single release from the album, backed by Over And Over. The song was promoted heavily on the show "Archie's Funhouse", appearing in at least four episodes. The song was slightly edited for the 45 release, and was edited further for the show. The single peaked at #57 on the Billboard Hot 100 during it's 7 week stay.
Another song from the album, A Summer Prayer For Peace, was released in the U.S. later in 1971 after becoming a big #1 smash hit in South Africa. The song, both beautiful and haunting, unfortunately did not chart on the Billboard Hot 100. It was backed by Maybe I'm Wrong, a song from their later This Is Love LP.
Songs on this album included: Sunshine, Who's Gonna Love Me, Mr. Factory, Love And Rock 'n Roll Music, Over And Over, Waldo P. Emerson Jones, A Summer Prayer For Peace, Dance, Comes The Sun, Suddenly Susan, One Big Family and It's The Summertime. Songs colored red were featured on the show "Archie's Funhouse." The others were not featured at all. Most fans agree that Comes The Sun would have been a Top 40 giant if released as a single.

http://www.geocities.com/windsor_bear/archies/kes107.html

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01 - Sunshine
02 - Who's Gonna Love Me
03 - Mr. Factory
04 - Love And Rock'n Roll Music
05 - Over And Over
06 - Waldo P. Emerson Jones
07 - A Summer Prayer For Peace
08 - Dance
09 - Comes The Sun
10 - Suddenly Susan
11 - One Big Family
12 - It's The Summertime
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The Archies - Jingle Jangle (1969)

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by Jancy

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Jingle Jangle, released in 1969, was The Archies third album. Most fans will agree... this is some of their best work. The style of songs on this album are varied and timeless; as fresh today as they were when released over 30 years ago.
It's safe to say that this was The Archies last album featuring their "original" style of upbeat and fun music. Starting with their next album, Sunshine, The Archies took on a more "mature" approach and sound. But for this album, it was pure fun and frolic.

Although the album produced a Top 10 single, the album itself did not fare as well on the charts, reaching #125 on the Billboard Top 200 Album Chart.

For the Australian release, the title was changed to Get On The Line, which was the first track of Side 2 of the album in the US.
 
 Jingle Jangle was the lone hit single released from this album, backed by Justine. It hit #10 on the Billboard charts, stayed in the Top 40 for 10 weeks and in the Hot 100 for 13 weeks. It became The Archies' second gold single.
Two other songs from this album were "B" sides to other singles. Senorita Rita was the back to Who's Your Baby?, which was released shortly after the release of this album; and Everything's Alright was the back to Together We Two. Other songs, such as Get On The Line and Nursery Rhyme, would have been great Top 40 contenders if released.

Songs on this album included Jingle Jangle, Everything's Alright, She's Putting Me Thru Changes, Justine, Whoopee Tie Ai A, Nursery Rhyme, Get On The Line, You Know I Love You, Senorita Rita, Look Before You Leap, Sugar And Spice and Archie's Party.

All songs from this album were featured on "The Archie Comedy Hour" with the exception of Justine. I don't remember that one being performed.

http://www.geocities.com/windsor_bear/archies/kes105.html

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01 - Jingle Jangle
02 - Everything's Alright
03 - She's Putting Me Thru Changes
04 - Justine
05 - Whoopee Tie Ai A
06 - Nursey Rhyme
07 - Get On The Line
08 - You know I Love You
09 - Senorita Rita
10 - Look Before You Leap
11 - Sugar And Spice
12 - Archie's Party
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The Archies - Sugar Sugar (1969)

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From Jancy

The Archies Discography

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The Archies -Everything's Archie \Sugar, Sugar

Sugar Sugar (Re-package of Everything's Archie) 1969 

German Issue of Sugar, Sugar

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Everything's Archie , released in 1969, was The Archies' second album. The people dancing on the front cover were models and not actual members of the group. First pressings of the album included an order form for a sweatshirt like the ones worn by the models.
Sometime during the release of this album, Calendar Records changed its name to Kirshner Records. There are two versions of the cover, one with the Calendar logo, and another with the Kirshner logo. To the best of my knowledge, the Calendar logo was used on all of the orange record labels for the album.

The album peaked at #66 on the Billboard charts in 1969.
 
 About half of the songs on this album were featured on "The Archie Show." The other half were featured on "The Archie Comedy Hour." Unless I'm severely mistaken, Feelin So Good was not featured on either show.
Feelin So Good was the first single from the album, backed by Love Light. While it did make the Billboard charts, it did not crack into the Top 40. The second single, Sugar, Sugar, backed by Melody Hill, hit #1 on the Billboard charts for a total of 4 weeks, and stayed in the Top 40 for 18 weeks. It became The Archies first gold single.

Songs on this album included Feelin' So Good, Melody Hill, Rock & Roll Music, Kissin', Don't Touch My Guitar, Circle of Blue, Sugar, Sugar, You Little Angel, You, Bicycles, Roller Skates and You, Hot Dog, Inside Out-Upside Down, and Love Light.
 
 After the tremendous success of the Sugar, Sugar single, the name of the album was changed for later repressings to Sugar, Sugar. A blurb at the bottom of the new revised cover states "formerly available as EVERYTHING'S ARCHIE." The picture to the left is a black & white representation of what the cover looks like. In over 35 years of hunting for this album cover, I have never been able to find it, nor have I found anyone else who has ever seen it. Read further down about an update about this missing cover.
The album, Sugar, Sugar, was released in other countries, but with different covers. In Germany, Sugar, Sugar was released with a scantily clad female on the front cover. In England, Sugar, Sugar was released with a picture of sugar cubes inside of a sugar bowl. Most other countries used the artwork from the Everything's Archie album, or the artwork from the first The Archies album for their release of Sugar, Sugar.
 
Overall, Everything's Archie / Sugar, Sugar is probably the group's most popular album. It appears more frequently in used record houses and thrift stores than any of their other albums.

(http://www.geocities.com/windsor_bear/archies/kes103.html )

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01 - Feelin' So Good
02 - Melody Hill
03 - Rock & Roll Music
04 - Kissin'
05 - Don't Touch My Guitar
06 - Circle Of Blue
07 - Sugar Sugar
08 - You Little Angel You
09 - Bicycles, Roller Skates And You
10 - Hot Dogs
11 - Inside Out Upside Down
12 - Love Light
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The Archies - The Archies (1968)

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Anthology of Archies from Jancy

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Biography by Steve Huey :
Most '60s bubblegum groups were faceless studio concoctions, made up of hired professionals and given nominal group identities after the fact. The Archies made no pretense of being a real band in the first place — their music, including the smash hit "Sugar, Sugar," was "performed" by the animated TV cartoon characters spun off from Archie comics. In reality, of course, they were a studio concoction made up of hired professionals (most notably lead singer Ron Dante), but in this case, they weren't technically faceless.

The Archies were created by promoter Don Kirshner, who was coming off of a major success as the creator of the Monkees. In late 1967, Kirshner was hired as music supervisor for CBS' new Saturday morning cartoon The Archie Show, which was to feature a new original song every week. He immediately brought on producer Jeff Barry, who with Ellie Greenwich had formed one of the pre-eminent songwriting teams of the girl-group era (Greenwich also sang on several Archies records). Kirshner's original choice for lead singer was Kenny Karen, but Barry brought in Ron Dante, an experienced session singer who'd fronted the Detergents' novelty parody "Leader of the Laundromat"; Dante had met Barry at a Neil Diamond session, and had previously cut promos for Kirshner. Dante won the job, and Barry hired Jeannie Thomas as the group's female vocalist. When the TV show debuted, it was a hit, and the first Archies single, "Bang Shang-a-Lang," nearly made the Top 20 in late 1968. 

Shortly thereafter, Barry hired songwriter/backing vocalist Andy Kim, and replaced Thomas with Toni Wine. Barry and Kim co-wrote "Sugar, Sugar," which became a breakout smash in 1969; it topped the charts for four weeks, sold over three million copies in the U.S. alone, and wound up as Billboard's number one song of the year. Meanwhile, the TV show was expanded to a full hour, and Dante enjoyed a simultaneous Top Ten hit during "Sugar, Sugar"'s run, thanks to his lead vocal on the Cufflinks' "Tracy." The follow-up, "Jingle Jangle," reached the Top Ten, but from there the Archies' chart success tailed off quickly. Their last Top 40 hit came in the spring of 1970 with "Who's Your Baby?"; the same year, Donna Marie replaced Toni Wine. However, by the end of 1970, Barry left the Archies to pursue other projects, and stories detailing the group's breakup named their primary personnel for the first time. Their final Barry-produced single was released in early 1971, although "A Summer Prayer for Peace" became a hit in South Africa later that summer. Ron Dante embarked on a short-lived solo career before moving into record production, and found substantial success as Barry Manilow's producer throughout the '70s; he also returned to singing on commercial jingles. Andy Kim went on to score a substantial solo hit in 1974 with "Rock Me Gently." 

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01 - Archies's Theme
02 - Boys And Girls
03 - Time For Love
04 - You Make Me Wanne Dance
05 - La Dee Doo Down Down
06 - Truck Driver
07 - Catchin' Up On Fun
08 - I'm In Love
09 - Seventeen Ain't Young
10 - Ride Ride Ride
11 - Hide And Seek
12 - Bang Shang A Lang
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 The Archies, released in 1968, was the group's first album.  The music reflected the happiness and innocence of late 60's youth and the Archie comic characters themselves.
The album was released to coincide with the Fall '68 debut of "The Archie Show" on CBS on Saturday mornings. All of the songs on this album were featured on that show. Jeff Barry, who wrote 9 of the 12 songs on this album, was the producer. Barry went on to produce the rest of The Archies albums, with the exception of the last one, This Is Love.

The album did remarkably well, reaching #88 on the Billboard charts, and is probably the second most easy to find album, after Everything's Archie, in used record stores and thrift stores.
 

 Bang-Shang-A-Lang, backed by Truck Driver, was the lone single from the album. The single did exceptionally well on the charts, reaching position #22 on Billboard. It stayed in the Top 40 for 8 weeks, and on the Hot 100 for 13 weeks.
Songs on this album included Archie's Theme (Everything's Archie), Boys and Girls, Time for Love, You Make Me Wanna Dance, La Dee Doo Down Down, Truck Driver, Catchin' Up on Fun, I'm in Love, Seventeen Ain't Young, Ride, Ride, Ride, Hide and Seek and Bang-Shang-A-Lang.

At least 6 of the songs from this album were made available as cardboard cut-out records on the backs of Post Super Sugar Crisp and Post Honeycomb cereal boxes.

(http://www.geocities.com/windsor_bear/archies/kes101.html)

The Archies WEB PAGES

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Bill Haley - Live in Star Club

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NEWS FROM JANCY

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Bill Haley is the neglected hero of early rock & roll. Elvis Presley and Buddy Holly are ensconced in the heavens, transformed into veritable constellations in the rock music firmament, their music respected by writers and scholars as well as the record-buying public, virtually every note of music they ever recorded theoretically eligible for release. And among the living rock & roll pioneers, Chuck Berry is given his due in the music marketplace and by the history books, and Bo Diddley is acknowledged appropriately in the latter, even if his music doesn't sell the way it should. Yet Bill Haley — who was there before any of them, playing rock & roll before it even had a name, and selling it in sufficient quantities out of a small ... Read More...

Bill Haley Info

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1 - Shake Rattle And Roll
2 - Skinny Minnie
3 - Rip It Up
4 - Rudys Rock
5 - Lucille
6 - Whole Lotta Shakin Going On
7 - See You Later Alligator
8 - Caravan
9 - Kansas City
10 - What'd I Say
11 - Rock Around The Clock
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